Stephanie Hershaw
Soprano
Biography
British soprano Stephanie Hershaw is an alumna of the young artists programme at the Landestheater Detmold following her training at the Hochschule für Musik und Theatre, Leipzig, the Royal College of Music and Royal Welsh College of Music & Drama.
A member the ensemble at the Oldenburgisches Staatstheater since 2024 Stephanie has sung Romilda Xerxes, Gretel Hansel & Gretel and Ännchen Der Freischütz for the company. In the 25-26 season she sang the title role The Cunning Little Vixen, Sophie Werther and Antonia Tales of Hoffmann in Oldenburg and Mozart and Haydn with The Mozartists in London. She returns to Oldenburg in the 26-27 to sing her first Pamina Die Zauberflöte and her plans include Ariel in The Tempest for Vache Baroque.
Elsewhere Stephanie has appeared as Barbarina (and cover Susanna) Le nozze di Figaro for Garsington Opera; Lenio in Martinů The Greek Passion for the Danish National Opera and Celia in Handel Silla (Northern Opera Group).
She has sung Najade Ariadne auf Naxos, Zerlina Don Giovanni, Kate Pinkerton Madama Butterfly, Zwangsarbeiterin Lady Macbeth von Mzensk in Detmold; Romilda Xerxes for Landestheater Niederbayern and Papagena The Magic Flute for Waterperry Opera Festival.
A Leeds Lieder Young Artist and Countess of Munster Recital Artist, Stephanie has performed with The Brodsky Quartet as part of the Dante Music Festival and in recital at Leicester Music Festival with her duo partner George Ireland. Her other concert engagements include appearances with choral societies and festivals throughout the UK singing Bach, Handel, Haydn and Vaughan Williams.
Stephanie was a Midori Nishiura Scholar at the Royal College of Music and her studies were generously supported by the Mario Lanza Foundation, The Munster Trust Star Award, The Boas Charitable Trust, The Kathleen Trust, The Clemence Charitable Trust and the Josephine Baker Trust. Her competition successes include 1st prize in Flat Pack Music’s Opera Competition 2021, a Maureen Lehan 2021 Finalist & Prize Winner, and Bundeswettbewerb Gesang Berlin Finalist 2022.
Stephanie Hershaw is represented for General Management. For all enquiries please contact Caroline Phillips cphillips@caroline-phillips.co.uk
Reviews
The Tempest – Vache Baroque
… it was soprano Stephanie Hershaw as Ariel/Cupid who seemed beyond criticism, her voice clarion clear …Her Purcell ‘Come unto these yellow sands’ … was an absolute joy, a real highlight,
Classical Explorer, 9 September 2026
Berg – Wozzeck - Oldenburgisches Staatstheater
… Stephanie Hershaw presents a confident, unyielding Marie. Through her bright and richly expressive soprano, she makes Marie’s yearning for love and a higher social standing believable and moving right up to her tragic end.
Klassik Begeistert, 2 June 2026
Oldenburg Recital Series
Stephanie Hershaw … depth of expression and iridescent colour
NZW online, 19 November 2025
Opera in 1775 – The Mozartists
Stephanie Hershaw projected the turbulent vocal arcs with elegance.
Operawire, 6 October 2025
Opera in 1775 – The Mozartists
Stephanie Hershaw then sang ‘Che fiero momento’ from Tozzi’s Orfeo ed Euridice. Hershaw brought vibrant emotion to bear on the accompanied recitative, and then the aria was intense and vivid
Planet Hugill, 20 September 2025
Mozart – Le Nozze di Figaro – Garsington Opera
Stephanie Hershaw made an elegant, touching Barbarina in her lovely Act Four aria …
Planet Hugill, 15 July 2024
Landestheater Detmold – Mozart – Don Giovanni
Stephanie Hershaw as Zerlina, with her crystal-clear soprano voice and youthful, fresh performance is the icing on the opera cake.
Kultur Feder, 5 June 2023
Landestheater Detmold – Mozart – Don Giovanni
Stephanie Hershaw performs brilliantly in every respect.
Online Musik Magazin, 2 June 2023
Landestheater Detmold – Handel – Xerxes
…ravishingly sung and played by Stephanie Hershaw
Online Musik Magazin, 3 March 2023
Landestheater Detmold – Handel – Xerxes
With the dramatic climaxes demonstrating great steadfastness, soprano Stephanie Hershaw was captivating as Romilda.
Lippisches Kultur-Journal, 12 February 2023