Hugo Hymas
Tenor
Biography
British tenor Hugo Hymas is in much demand for his interpretations of classical, baroque and renaissance repertoire and enjoys collaborations with the foremost practitioners of the genre.
He regularly performs with specialist groups such as Arcangelo, Capella Mediterranea, Le Concert d’Astrée, Collegium Vocale Gent, the Dunedin Consort, English Concert, Freiburg Baroque Orchestra, Orchestra of the Age of Enlightenment and Les Violons du Roy. He is also engaged for baroque and classical repertoire with the Bergen Philharmonic, Sinfonieorchester Basel, Tonkünstler-Orchester Niederösterreich, English Chamber Orchestra and Nord Nederlands Orkest.
Hymas counts amongst his musical partners conductors Kristian Bezuidenhout, Ivor Bolton, William Christie, Jonathan Cohen, John Eliot Gardiner, Leonardo Garcia Alarcòn, Emanuelle Haïm, Philippe Herrweghe, Vaclav Luks, Dinis Sousa and Peter Whelan.
His opera engagements include Jove Semele for Glyndebourne Festival Opera; Eurimaco Il ritorno d’Ulisse in patria at the Maggio Musicale Fiorentino, Lucius in the premiere of Georgio Battistelli Julius Caesar at Teatro dell’Opera di Roma, Septimius Theodora and Clotarco in Haydn Armida at Potsdam Winteroper and Alessandro in Handel Poro for concert performances in Halle, Dortmund and Vienna. He is regularly engaged throughout Europe to sing Acis Acis and Galatea and returns to Glyndebourne in 2026 for roles in L’Orfeo.
He has recorded Handel’s sacred oratorio La Resurrezione with The English Concert and Harry Bicket and Purcell with Arcangelo under Cohen. Engaging with more recent repertoire he has recorded Stravinsky Cantata with The Façade Ensemble under Benedict Collins Rice
Hugo Hymas is a former Britten-Pears Young Artist and Rising Star of the Enlightenment. He grew up in Cambridge where he sang as a chorister in Great St Mary’s Church Choir and studied the clarinet after which he joined the Choir of Clare College, Cambridge as a tenor. He holds an honours degree in Music from the University of Durham.
Hugo Hymas is represented for General Management. For all enquiries please contact Caroline Phillips cphillips@caroline-phillips.co.uk
Reviews
Purcell – Ode to St Cecilia’s Day – Freiburg Baroque / Kristian Bezuidenhout
Hugo Hymas was elegantly expressive in ‘Now, when I think thereupon’ with its striking textures.
Planet Hugill, 24 November 2022
Bach & Caldara – Dunedin Consort / John Butt
Standing out among the singers, the tenor Hugo Hymas disclosed a bloom at the top of his voice ..
The Telegraph, 1 January 2023
Buxtehude – Salvator Mundi – CD review – Ricercar Consort/Philippe Pierlot
A superb moment of elevation and the contemplation of eternity, carried by tenor Hugo Hymas’ stellar voice and remarkable emphasis of eloquence.
Le Figaro, 8 April 2023
Chandos Anthems – Arcangelo – CD review
Of the soloists, tenor Hugo Hymas is probably the standout, consistently smooth and bright but capable of superb coloratura
Musicweb International, 16 September 2025
Purcell – Hail! Bright Cecilia - Le Poème Harmonique
English tenor Hugo Hymas’ ascent in the early music firmament continues unabated aided by a technique that enables enviable agility and a beguiling, honeyed tone…
Limelight, 12 December 2025
Handel – Chandos Anthems – English Concert / Kristian Bezuidenhout
.. tenor Hugo Hymas gave a sumptuous, polished rendition… Hymas captivated with his wonderful, resonant tenor.
The Arts Desk, 27 February 2026
Bach – St Matthew Passion – Archangelo / Jonathan Cohen
Hugo Hymas displayed a perfect instrument, clean and beautifully coloured.
Diario de Sevilla, 29 March 2026
Bach – St Matthew Passion – Archangelo / Jonathan Cohen
… British tenor Hugo Hymas, surely the most beautiful voice of all those who appeared, and equally with exquisite phrasing and ample projection.
El Correo de Andalucia, 29 March 2026
Bach – St Matthew Passion – Archangelo / Jonathan Cohen
Hugo Hymas rose to the occasion, … because of his excellent register, intelligibility, and timbre …
ABC Sevilla, 29 March 2026